incl firmin, karaba, aiden francis and les ondes

metal hammer

repress - al dobson jr. returns to rhythm section international with his debut full length lp. spread over 28 tracks and clocking in at just under one hour, this body of work provides a glimpse into the mind of one of the uks most talented, enigmatic producers. al dobsons debut mini album marked the inauguration of bradley zeros fledgling label back in 2014, proving to be a breath of fresh air to the london scene with its loose, undefinable sound and unique approach to production. as a newcomer, al dobson jr.s music didnt remain a secret for long, with major global tastemakers such as gilles peterson, theo parrish, dego, alex nut and osunlade being early adopters. as with other key releases on 22a and izwid, it didnt take long for rye lane volume 1 to go from obscure debut to cult classic, propelling the artist and the label onto the international platform. at once a continuation and evolution of the sound, rye lane volumes ii & iii offers a deeper exploration into the al dobson jr universe, moving with ease through tempos and textures but never losing that effortless magic that makes adj stand out from the crowd.

a chet baker classic on 180 gram vinyl, including a cd, containing the complete album plus 10 bonus tracks.

strong limited black / red eye vinyl! very unique! comes with a diary written by the two artists of the release. hex recordings founders paolo ferrara & lorenzo raganzini team up for >breaking the nirvana< featuring remixes from and, inhalt der nacht and shdw & obscure shape as well as a selection of videos, a short documentary and booklet. helmed by italian djs and producers paolo ferrara and lorenzo raganzini, hex launched in 2014 and quickly became a techno movement in barcelona with events at venues and festivals like khidi, gare, input, razzmatazz, brunch and dgtl. it now has a devout following that stretches not only in spain but throughout the world. last year saw the launch of hex recordings with a debut release from ferrara and raganzini, followed by appearances from regal, zanias, nx1, vii circle, endlec, joton, codex empire, alignment, nico moreno, insolate and many more.

hex recordings founders paolo ferrara & lorenzo raganzini team up for >breaking the nirvana< featuring remixes from and, inhalt der nacht and shdw & obscure shape as well as a selection of videos, a short documentary and booklet. helmed by italian djs and producers paolo ferrara and lorenzo raganzini, hex launched in 2014 and quickly became a techno movement in barcelona with events at venues and festivals like khidi, gare, input, razzmatazz, brunch and dgtl. it now has a devout following that stretches not only in spain but throughout the world. last year saw the launch of hex recordings with a debut release from ferrara and raganzini, followed by appearances from regal, zanias, nx1, vii circle, endlec, joton, codex empire, alignment, nico moreno, insolate and many more.

early dj support by: jennifer cardini, paula tape, alexis le tan, sean johnston, zillas on acid, mystery affair and more...

limited and numbered reissue on orange coloured double vinyl, housed in a gatefold sleeve.

black vinyl reissue of the 2004 debut album from lindsay lohan.

lopatin aka oneohtrix point never

lopatin aka oneohtrix point never

fourth album from the vamps on vinyl lp.

new album from sen morimoto on limited mystery coloured double vinyl, download code included.

soul classics on picture vinyl.

basaec is the label founded by cadenza chief luciano as an output for the music of its roots, coming from the chilean prosperous archives or from brand new productions. the fourth episode of the series features two extended fleshy cuts of thick dance floor nourishment. -nature reverance- is a grandiloquent obscure hypnotic journey to the center of the earth, permeated of bass frequencies and jazzy drums, exalted by a slithering capturing leslied organ. less inward-looking but still thousands leagues under the sea, -trance ilvana- has a shuffled prancing rhythm over an ultra funky stripped down bass line, its swooshes and its drops of juicy synthetic quirks sticks smoothly with its driving bass drum. a generous condensation of timeless electronic funk, and a kaleidoscope of lucien nicolet early allure, hard coded in his dna.

grammy award winner & multi grammy nominated luisito quintero grew up with the latin american and african tradition of percussion. his father is just as much a percussionist as his uncle carlos nene quintero and his cousin roberto quintero . he became a member of the orquesta simfonica de venezuela , but soon appeared with ensembles such as grupo guaco and el trabuco venezolano and toured with oscar d león . he then moved to new york, where he initially worked with latin jazz musicians such as willie colón , eddie palmieri , tito puente and celia cruz . he then turned to the fusion of jazz, funk, salsa and african music and performed with george benson , herbie hancock , ravi coltrane and toshiko akiyoshi , but also with pop musicians such as gloria estefan and marc anthony. his first album “percussion maddness” was produced by louie vega & lq and was released on bbe records. now 8 years later, re-released on vega records with 4 new tracks also produced by louie vega will be released on a double pack vinyl in two parts, one a double pack 12” and the second a double pack 7” vinyl. enjoy the brazilian, jazz, african, house, & afro-cubano sounds of grand percussionist luisito quintero on this very special vinyl release

highly anticipated new album from aloe blacc.

incl. saine remix

only vinyl 1! this year sees abba’s the album turn 40, and usm are pleased to announce that we’ll be releasing a selection of products to celebrate the anniversary. abba: the album is the fifth studio album by the swedish pop group abba. it was originally released in scandinavia on 12 december 1977 through polar music and was released in conjunction with abba: the movie, with several of the songs featured in the film. the album contained two uk number-one singles, -take a chance on me- and -the name of the game-, as well as european hits -eagle- and -thank you for the music-. the album includes three songs from abba’s 1977 tour mini-musical the girl with the golden hair. these songs are -thank you for the music-, -i wonder (departure)- and -i’m a marionette-. altogether the album contained just nine songs—the least of any abba album, but were longer in length than previous albums (opening track -eagle- runs to nearly six minutes). abba: the album reached no. 1 in many territories. in the uk it debuted at the top and remained there for seven weeks, ending up as the third biggest selling album of the year (behind the movie soundtrack lps of saturday night fever and grease). in the us it became their highest charting album, where during 1978 abba undertook a big promotional campaign.
half speed mastered at abbey road studios and cut at 45rpm. 180 gram vinyl, housed in a gatefold sleeve with download code included.

a newly reimagined recording of the classic 1970 album by cat stevens.

repress! fresh new signing for the slow life stable, coming all the way from sweden. on his first ever release, the talented basement space presents his approach to the very recognizable mix of breaks and deepness which the label is mostly known for, but giving his personal flavor. overall, the ep has a strong influence of the classic ukg/2step sound, rounded with a cheerful jazzy track on the b-side.

ltd vinyl only

special tunes for special moments. 180g vinyl only. bananarama were cool, but the bangles are tubular, dude! toooh-tally tubular! take a chill pill, i am sure they will call ya back when they gets home from work.

remastered reissue on 180 gram vinyl. the cd included contains the full album plus 8 bonus tracks.

hot and freaky techno music from der totmacher, dj ze migl, chip tronic, dize7, ulf kramer and labelhead nox but be careful... heat could warp or melt the record blue vinyl, marbled with black! limited to 200 copys!

includes printed inner and outer sleeves

creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

dj deep returns for the 4th chapter... but hear yourself.

blaq numbers welcomes explorer of the humankind back to the stable with his latest work, -where did y’all go?-. combining lots of handmade drums & machines with hazy synths, he explored a new set of influences while writing and recording from 2018-2019. the four original compositions now find themselves on a brand new 12” backed by remixes from detroit’s byron the aquarius and larry houl. -where did y’all go?- expands on eoth s previously established house sound and brings in elements of bedroom pop, with lyrical content exploring the modern conundrum of maintaining relationships in the age of social media. not much is known about the lyon native, but his music has built him a keen worldwide following since his debut productions surfaced in 2017.

2020 repress! the second release from cabaret recordings run by so inagawa and dj masda who organize a club party called cabaret based at unit/saloon tokyo. the first release so inagawas logo queen was supported by daniel bell, lawrence, jan krueger, le loup, chris carrier, eli verveine and so on. this coming ep is modern deep house by so inagawa. a simple but strong ep, indeed!

sunny breeze . empty streets . climbed up the holy mountain of joy . insolitus sonus . summa cum laude . rock bell sounds . stream of sounds . hitting mountains . entered the temple of joy . rupes cantare . came out laughing . like children . this soon will all be over . but we keep practising .

various creatures of the native flora and fauna are interpreted musically on dominik eulbergs label apus apus. the music pieces are thoughtfully presented with 2 tracks per ep. his first ep features the track bienenfresser (eng. bee-eater) on the a side and blauracke (engl. blue roller) on the flip side. the bee-eater is the most colorful bird of our native lands a quality which is echoed through the piece of the same name. the composition oscillates from one color into another without losing its significant habitus. it is a musical journey through the color scheme of the bee-eater, through which dominik eulberg takes us by way of his iconic style. he succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism. it is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. the long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. intrepid, yet with a high degree of ataraxia, dominik leads us through the skies on an expedition into the colorful land of the bee-eater. the magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. these colors, translated into worlds of sound, are reflected in this piece of the same name. sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. the piece is inviting and catchy in the typical eulbergian manner submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. the blue roller is a sit-and-wait hunter at first occupied with idleness, until finally capturing its anticipated prey. this imperturbable serenity is felt in this piece of music and illustrates eulberg s many years of knowledge and experience. he steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.

wrx11 comes as the more utopian follow up to the murky atmospherics of inflorescence pt1, this time brimming with intricate breakbeat acrobatics, uplifting melody and oozing bass but still with room for some icy precision creeping in at the edges.

the mystery artist or cane is the dance floor outlet of funckarma aka don & roel funcken (nl). music for the body but with an increase in cognitive focus, the mystery artist sound has the rawness and darkness of funckarma with a tilt towards techno, electro and acid. >gwane mone< sees the return of the ma after a first release on skam records, with a unique blend of heavy bass lines and offbeat electro rhythms. the a-side starts with the dark slow mood of >jinn<, a track defining the general atmosphere of the record. the pace gets picked up through >oid trazzle<, a modern electro killer with that distinct attention to detail of the funcken brothers. the b-side continues with the mental bass of >gwane mone<, a brooding subbass line accompanies an offbeat rhythm structure. the ep finishes with >ssiwsk<, a track closer to the cane sound and with a distinct intent for the underground dance floor. the gwane mone ep builds up through the four tracks and therefore works equally well as a dj-tool and as an up-tempo home listening record

limited edition of 1500 numbered copies on solid gold coloured 180 gram vinyl.

uk funk

it‘s back to the roots for o‘rs with this one. we had a look at our recent digital releases and picked five favorites to press them on a 12“. and since these times make disco records kind of redundant, we just made a‚ no disco ep. but don’t trust the name: this will still make you dance.

cologne based collective, delivering forward aiming house music. we cant teach it, but we can make you feel it – vinyl only (180g)!

ltd 2020 repress !! tj hertzs first original release since 2014s critically acclaimed flatland lp comes in the form of objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct basement q, a formative and beloved haunt in berlin’s schöneberg district which quietly but profoundly shaped the musical identities of hertz and several of his contemporaries until its final closure in 2012.
the two tracks on objekt #4 pay tribute to two of the many musical facets of basement q in its later years. a-side “needle and thread” aims to condense several hours of a thursday night in the basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. b-side “theme from q” is hertz’s reinterpretation of a basement q anthem, owner and founder dj bogdan’s own “love inna basement (morning dub)”, which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the sattler & söhne glue factory. together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in berlin’s recent history.

2020 repress , without fullcover - roy comanchero is a dj/producer. he doesnt like modern tool like laptop, but loves cheap and vintage machine instead. he is traveling and looking for golden shiny beach like cancun, miami, gold coast and nice… to make music everyday.

2020 repress - stop following the mega-hit lets go dancing and the micro-hit fever, nightclub marks the third release from techno truth-tellers tiga vs. audion. to announce the ep, tiga recently gave a lengthy audio press conference while driving a turbo company car all the way down to city hall. a partial transcript follows: on the inspiration living in contemporary society? it’s a joke. but whats no joke is that rough times call for rough customers, and this ep finds two top techno producers in the mood for ballsiness, reflecting the times with a harder-edged sound, harder-edged artwork, and harder-edged calls for our leaders to remember that the dance floor was built on unity, plurality, and unshacklable animality.

re-release! you thought it was a joke when we released a record named after colognes local beer, kÖlsch. but you were wrong. rune riley kölsch is not a joke. he is a tall danish guy and its quite likely that you have already heard some of his tracks out in a club. maybe something from his amazing ink & needle series on his own tattoo imprint or the track he is most known for: calabria feat. crystal waters. after his impressive debut on kompakt extra >loreley/rheingold< he is back with another killer double header. >opa< is one of the most unusual but yet amazingly effective techno tracks we have heard this year. its steroid-driven funk with a heavily mental edge and powerful enough to lift the roof of any club. >der alte< pays tribute to germanys long running tv series the old man with a rather juvenile sounding piano anthem that sits comfortably between balearic disco and detroit techno. prost, mr kölsch!

70s funk legends ripple are back!

remastered triple vinyl compilation with seminal tracks from oneness of juju, recorded between 1970 and 1982.

yes a lot of tracks in these series... but please check carefully because there are some gems to be found!

after almost a year gosu’s back with two split releases, curated by jane fitz ! first one by dom and darren allen:,,,, dom’s „snake totem“ - his first vinyl release so far - is an absolute spaced out house weapon! „the odd man“ on the flip by darren allen is a deeper but nevertheless grooving tune.

a limited edition, and last ever, repress - it is no secret that rvs is not truly a record label, but is in fact a downy creature of the forests! in keeping with this faunal existence, our whiskered beast has recently returned to the foot of a familiar shrubbery whence it emerged and has begun burrowing fiercely at its roots. in doing so, it has unearthed a vast and dusty tome of innumerable chapters, named the reverb chronicles, that details over 20 years of foraging habits. hence, we present the first four-part volume of the said opus for your perusal and distraction.

limited repress! support from: a:rpia:r, barac, cezar, livio & roby, nu zau, priku, vid, sepp, wareika, etc. romanian born ada kaleh has gained international appreciation with his sensible compositions, a deep exploration into techno and analogue, where natural sounds and frequencies abound. after releasing several records in which we discovered his love of experimentation and got acquainted with his unique manner of layering sounds as to create immersive spaces, ada kaleh reinvents his style once again with >dene descris< lp, on his homonymous vinyl only label. the album will be released in two 2x12inch parts, the first one coming this december and including four tracks. >dene descris<, which means >indescribable<, is indeed better listened than described, as each composition allows the listener to write their own story in the space ada kaleh creates. >dene descris< part one reaffirms ada kalehs incredible mastery and knowledge when it comes to production and his desire to go all the way with an idea - from titles to artwork, everything is well thought and connected, but always leaving room for the listener to feel their own worlds through his music.